Shanay Cogdell
WST 3015
Professor Nina Perez
March 16, 2010
Vixen in the Kitchen-Angel in the Attic Blog Assignment
In the premiere episode, "Patriarchy," Kitty Walker (Calista Flockhart) returns home to California after having been estranged from her mother (Sally Field) for three years. Meanwhile, William Walker (Tom Skerritt) brings Sarah (Rachel Griffiths) into the family business, where she soon discovers some glaring financial discrepancies that could undermine the Walker family's way of life.
The series follows the Walkers through the maze of American life today- the pressures, limitless options and the struggle to grow beyond our backgrounds into ourselves. This is a prime example exhibited in the book Women's lives Multicultural Perspectives,working-class women are heavily penalized for job intteruptions, although these are the very women who allegedly "choose" less demanding occupations that enable them too move in and out of the job market without undue wage penalties" (Kirk and Rey 341). Through these fascinating siblings-Sarah, the corporate VP who returns to the family business so she can give to her marriage as much as she does to her career; Tommy (Balthazar Getty), the loyal son trying to live up to his father's expectations; Kevin (Matthew Rhys), the gay lawyer cautiously learning about love; Justin (Dave Annable), the baby of the family, grappling with war trauma and addiction; and Kitty, right-wing radio host turned TV host who has always been daddy's little girl-the show explores what it means to be a family in the 21st century, and how these brothers and sisters balance their own lives as they strive to accept their parents as people-flawed, contradictory and forgivable-rather than just as a father and mother. The parents are William Walker, the larger-than-life patriarch and president of the family business, and Nora Holden, the opinionated wife and mother to the five Walker siblings. Then there's Ron Rifkin as Saul Holden, Nora's brother; John Pyper-Ferguson as Sarah's husband, Joe; Sarah Jane Morris as Tommy's wife, Julia; and Patricia Wettig as Holly, a woman who's history with William could bring the Walkers and their company down.
The episode perpetuates traditional gender roles by the wife doing motherly/wife roles like cooking or taking care of her children while in this case, the mother’s children are all adults. Gender roles are also divided equally. According to Paula Ettelbrick, the concept of equality in our legal system does not support differences, it only supports sameness ( Women's Lives 318).
Work Cited
Ettelbrick, Paula. "Since When Is Marriage a Path to Liberation?" Women's Lives Multicultural
Perspectives. Ed. Gwyn Kirk and Margo Okazawa-Rey. 5th ed. New York: McGraw-Hill, 2010.
318-18. Print.
Crittenden, Ann. "The Mommy Tax." Women's Lives Multicultural Perspectives. Ed. Gwyn Kirk
and Margo Okazawa-Rey. 5th ed. New York: McGraw-Hill, 2010. 341-41. Print.